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"Echoes" is a song by the English rock band Pink Floyd, and the sixth and last track on their 1971 album Meddle. It is 23 + 1 ⁄ 2 minutes long, the second longest of their discography, eight seconds shorter than Atom Heart Mother Suite, and takes up the entire second side of the original LP.
"Chapter 24" is a song by the English rock band Pink Floyd released on their 1967 album The Piper at the Gates of Dawn. [1] [2] This song was one of several to be considered for the band's "best of" album, Echoes: The Best of Pink Floyd. [3] It was the second song recorded for the album.
Echoes is Floyd's first album to include "When the Tigers Broke Free", from the film version of The Wall (the song reappeared on a 2004 rerelease of The Final Cut in a slightly remixed form). It was their first compilation to include songs from The Final Cut , A Momentary Lapse of Reason and The Division Bell and is the only one to include ...
"Your Possible Pasts" (mislabeled as "Your Impossible Pasts" on a radio promo single) is a song from Pink Floyd's 1983 album The Final Cut. [ 1 ] [ 2 ] This song was one of several to be considered for the band's "best of" album, Echoes: The Best of Pink Floyd .
The shrill siren-like sound effect used during this song is also used in an earlier Pink Floyd work, "Echoes". The noise is mimicking a seagull cry. The noise is mimicking a seagull cry. The seagull noise was created by David Gilmour using a wah-wah pedal with the guitar and output leads plugged in the wrong way round.
The result of this setting is: if the player plays simple quarter notes, the added echoes will produce a pattern of quarter note – eighth note, quarter note – eighth note. Pink Floyd would again use this technique on the bass line for "Sheep". This riff was first created by David Gilmour on guitar with effects, then Roger Waters had the ...
On Echoes: The Best of Pink Floyd, the song has a different ending: instead of segueing into what would be the next track on The Dark Side of the Moon ("Any Colour You Like"), engineer and Floyd collaborator James Guthrie gave the song a cold ending, before adding a backwards piano note that would lead into the collection's next track ...
This was the Pink Floyd recording from the original 1982 single, and had a running time of 3 minutes. It was generally released on CD on Pink Floyd's 2001 compilation album Echoes: The Best of Pink Floyd. [10] With a duration of 3:42, this version is longer than the single release and features an extended intro section.