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n. A trifle; an unsubstantial thing. n. A short piece of literature or of instrumental music, typically light or playful in character.; n. A game similar to billiards played on an oblong table with pockets or arches at one end only.
Trifle is a layered dessert of English origin. The usual ingredients are a thin layer of sponge fingers or sponge cake soaked in sherry or another fortified wine, a fruit element (fresh or jelly), custard and whipped cream layered in that ascending order in a glass dish. [1]
Trifles is a one-act play by Susan Glaspell.It was first performed by the Provincetown Players at the Wharf Theatre in Provincetown, Massachusetts, on August 8, 1916.In the original performance, Glaspell played the role of Mrs. Hale.
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
A Biannual Publication on the Study of Language and Literature. 21 (2): 10–16. {{cite journal}}: Cite has empty unknown parameter: |first 2= The article "Susan Glaspell’s “Trifles” in the Light of Ecofeminism” by Elmira Bazregarzadeh discusses the unequal balance of social systems in which men hold dominance over women in literature.
Tragicomedy is a literary genre that blends aspects of both tragic and comic forms. Most often seen in dramatic literature, the term can describe either a tragic play which contains enough comic elements to lighten the overall mood or a serious play with a happy ending. [1]
But if that falls a bit short of your definition of “spontaneous,” try an awe walk, Bajaj suggests. Instead of mapping out a careful route, she says, pay attention to what you see and let your ...
He notes that "the essay is a literary device for saying almost everything about almost anything", and adds that "by tradition, almost by definition, the essay is a short piece". Furthermore, Huxley argues that "essays belong to a literary species whose extreme variability can be studied most effectively within a three-poled frame of reference".