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The studio was created by Joe Gottfried and Tom Skeeter, who wanted to start a record company and get into artist management. After a rough start, Skeeter and Gottfried purchased a custom state-of-the-art recording console [4] [5] [6] for $75,175 from the English electronics engineer Rupert Neve: [7] "One of four in the world ... a 28-input, 16-bus, 24-monitor 8028 with 1084 EQs and no ...
Special equipment was another notable feature of the classic recording studio. The biggest studios were owned and operated by large media companies like RCA, Columbia and EMI, who typically had their own electronics research and development divisions that designed and built custom-made recording equipment and mixing consoles for their studios.
This category lists manufacturers of various music (audio and video) production equipment, such as studio and live audio systems, effect units and processors, mixers. For musical instruments manufacturing companies, please refer to appropriate categories.
Companies that manufacture sound reproduction or sound recording equipment, such as loudspeakers, microphones, amplifiers and turntables Wikimedia Commons has media related to Audio equipment manufacturers .
Ampex 601 playing a recording of "Les Paul's New Sound, Vol. II". Made in Redwood City, California, c. 1956. Internals of Ampex Fine Line F-44, a 3-head Ampex home-use audio tape recorder, c. 1965 AMPEX model 300 half-inch three-track recorder AMPEX 440 (2tr, 4tr) & 16-track MM 1000
In 2013, Waves Audio released a plug-in that emulates the REDD.17, REDD.37 and REDD.51 mixing consoles. [7]Chandler Limited established a partnership with Abbey Road Studios to develop and produce several plug-in emulations of the studios' classic recording gear, including a plug-in that emulates the REDD.47 microphone amplifier circuit from the REDD.51 mixing console.
Digital mixing on two Mitsubishi X86. Very comprehensive ancillary equipment list. In 1989, shortly after the Rolling Stones had recorded their Steel Wheels album there, Hurricane Hugo devastated the island. While the Montserrat studio facility sustained only minor damage, it was never reopened, mainly due to changes in the recording industry.
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