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His guilt is aggravated by the pain and confusion his ‘dereliction” has inflicted on various children.” [7] [8] Problems and Other Stories is conspicuous in that “children assume the foreground” in several of the tales that track the “gulf [that widens] between them and their separating parents and sometimes erupts with suppressed ...
American singer/songwriter Carolyne Mas has a song titled "King of the U-Turn" that uses an albatross as a metaphor. The rock band Chevelle uses albatross as a metaphor in the song "Face to the Floor". Demon Hunter uses albatross as a metaphor in the song "Cross to Bear". The band Erra uses albatross as a metaphor in the song "Dreamwalkers".
A metaphor is a literary figure of speech that uses an image, story or tangible thing to represent a less tangible thing or some intangible quality or idea; e.g., "Her eyes were glistening jewels". Metaphor may also be used for any rhetorical figures of speech that achieve their effects
Illness as Metaphor was a response to Sontag's experiences as a cancer patient, as she noticed that the cultural myths surrounding cancer negatively affected her as a patient. She finds that, a decade later, cancer is no longer swathed in secrecy and shame, but has been replaced by AIDS as the disease most demonized by society.
Schadenfreude (/ ˈ ʃ ɑː d ən f r ɔɪ d ə /; German: [ˈʃaːdn̩ˌfʁɔʏ̯də] ⓘ; lit. Tooltip literal translation "harm-joy") is the experience of pleasure, joy, or self-satisfaction that comes from learning of or witnessing the troubles, failures, pain, suffering, or humiliation of another.
“Guilt is useless if you just sit there and feel bad,” she noted. “Don’t just sit in the guilt. That’s toxic guilt. That’s not helpful to anything.” ...
This series came from a determination to understand why, and to explore how their way back from war can be smoothed. Moral injury is a relatively new concept that seems to describe what many feel: a sense that their fundamental understanding of right and wrong has been violated, and the grief, numbness or guilt that often ensues.
Sonnet 33 is the first to introduce the idealizing metaphor of the young man as the sun. The sonnet and the ones that follow have been especially attractive to critics interested in biographical reference in the sonnet; George Wyndham deplores this tendency, as does Stephen Booth . [ 6 ]