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[2] In Intersectionality, Sexuality and Psychological Therapies (2012), lipstick lesbian is defined as "a lesbian/bisexual woman who exhibits 'feminine' attributes such as wearing makeup, dresses and high heeled shoes"; the book adds that "more recent iterations of feminine forms of lesbianism such as 'femme' (e.g. wears dresses/skirts or form ...
Aegyo can also be seen as related to adult hyper feminine behaviors and is additionally used as a form of private and personal seduction and is sometimes hyper sexualized. Puzar and Hong relate aegyo to a similar Japanese practice amae and contextualize this behavior in terms of an androcentric patriarchy.
These appearances were quickly trivialized and presented travestilidade as a peculiar hyper-feminine expression of masculinity. [3] After gaining popularity as a vedette in 1995, Cris Miró caused a media sensation for her gender identity and expression.
A resurgence in interest in ballerina-inspired fashion in the mid-2020s came to be known as balletcore. The fashion trend drew inspiration from the graceful and elegant aesthetic of ballet dancers, which has been called "hyper-feminine" and embraces both comfort and body movement in a context that explores femininity.
AFAB queens at Trannyshack, 2008. An AFAB queen, diva queen or hyper queen [1] is a drag queen who is a woman, or a non-binary person who was assigned female at birth.These performers are generally indistinguishable from the more common male or transgender female drag queens in artistic style and techniques.
Barone’s feminine, runway-ready wardrobe often stands in stark contrast to her deadpan punchline delivery, two disparate threads coming together to create an intriguing stage presence.
Effeminacy or male femininity [1] [2] is the embodiment of feminine traits in boys or men, particularly those considered untypical of men or masculinity. [3] These traits include roles, stereotypes, behaviors, and appearances that are socially associated with girls and women.
Over and against the neofeminists' attempts at getting rid of phallogocentrism and creating a new [feminine] writing style, she denounces as a contradiction this imprisonment of women in a ghetto of difference/singularity: "I consider it almost antifeminist to say that there is a feminine nature which expresses itself differently, that a woman ...