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Linn presented an important challenge to that by claiming that the source (i.e. the turntable) was the most important part of the system. [1] Ivor Tiefenbrun has talked about how Sondek derives from the term “sound deck” to emphasise the revolutionary concept that the turntable, the “deck”, is responsible for the sound quality. [9]
[47] Most of the disc machines designed at the Volta Lab had their disc mounted on vertical turntables. The explanation is that in the early experiments, the turntable, with disc, was mounted on the shop lathe, along with the recording and reproducing heads. Later, when the complete models were built, most of them featured vertical turntables. [46]
Turntablism as it is known today, however, did not surface until the advent of hip hop in the 1970s. Examples of turntable effects can also be found on popular records produced in the 1960s and 1970s. This was most prominent in Jamaican dub music of the 1960s, [6] among deejays in the Jamaican sound system culture.
The Seeburg Symphonola "Trashcan" jukebox of 1938 holds 20 10" 78rpm records each in a shallow centreless drawer so that when the selected record's drawer opens, the turntable can rise through the open centre of the drawer to lift the record up to meet the pickup arm at the top of the mechanism, where it plays.
Garrard 401 turntable with SME 3009 tonearm. The Garrard 301 Transcription Turntable was the first transcription turntable that supported all extant commercial playback formats – the 33, 45 and 78 rpm records of the time. The first model was the Garrard 301.
A mother, a factory employee, a sister, a horse trainer and a weatherman are just some of the many individuals who narrowly escaped the clutches of those weather events and survived to tell the tale.
There was no shortage of wild weather across the globe in 2024. Take a look at some of the wildest weather moments this past year. Huge waves crashed into a U.S. military base in the Marshall ...
Two turntables and a microphone" is the basic concept of a DJ's equipment. This phrase describes turntables ( phonographs ) and a microphone connected to a mixer . The DJ uses the mixer's crossfader to fade between two songs playing on the turntables.