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In its chorus, Icona Pop and Charli XCX shout in unison "I don't care / I love it". [17] Critics compared the song's breakup narrative to Kelly Clarkson 's 2004 single " Since U Been Gone ", [ 15 ] [ 18 ] and journalist Chuck Eddy wrote in a piece for Spin that the track's brattiness was similar to that of British band Shampoo .
Icona Pop (English: / aɪ ˈ k ɒ n ə ˈ p ɒ p / eye-KON-ə POP) are a Swedish synth-pop duo that formed in 2009, with electro house and indie pop music influences. [5] Its two members, Aino Jawo (born 7 July 1986) and Caroline Hjelt (born 8 November 1987), grew up in Stockholm and created what the Swedish press has described as music which "you can both laugh and cry to at the same time".
"I Don't Care (Just as Long as You Love Me)", a 1964 song by Buck Owens "I Don't Care" ... "I Love It" (Icona Pop song), 2012, sometimes referred to by this title
Icona Pop is the debut studio album by Swedish synth-pop duo Icona Pop, released on 14 November 2012 by TEN Music Group and includes the multi-country top 10 hit single "I Love It". The album peaked at number 55 on the Swedish Albums Chart .
The album also includes the hit single "I Love It" which was also included on the band's Swedish-only self-titled debut album Icona Pop. [4] On 16 September 2013, the album was made available to stream in full on the Pitchfork website. [6] The album debuted at number 36 on the Billboard 200.
Charli XCX had her big break through Swedish duo Icona Pop's single, "I Love It", as the vocalist and co-songwriter. [2] Charli XCX released her debut studio album, True Romance in 2013, [3] followed by Sucker a year later. [4] In 2016, Charli XCX released her second extended play, Vroom Vroom. [5]
"He's saying, 'Well, I don't really care; it doesn't matter to me,' which is what the song is about. The audience see's through the performance. They know that underneath it, he is affected and ...
The discography of Icona Pop, a Swedish synth-pop duo, consists of three studio albums, four extended plays and twenty two singles.The press, including NME, The Guardian, Rolling Stone and Pitchfork, have praised the duo.