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As the Albion Band. Rise Up Like the Sun (Harvest SHSP 4092, 1978) Lark Rise to Candleford (Charisma CDS 4020, 1980) (credited to Keith Dewhurst & The Albion Band; "Various Artists" on the record label) Light Shining (Albino ALB 001, 1983) Under The Rose (Spindrift Records SPIN 110, 1984) A Christmas Present from the Albion Band (Fun/Tracer, 1985)
In 1979, Kirkpatrick had appeared in the National Theatre Company's stage show Lark Rise to Candleford together with Carthy and trumpeter Howard Evans. [1] Prior to this the use of brass instruments in English folk music was a rare event, but all three had found it thrilling and a couple of years later formed Brass Monkey with Martin Brinsford ...
This was the last album to be produced by this line-up of the Albion Band. John Tams, Michael Gregory and Graeme Taylor remained in the line-up for one more album, Lark Rise to Candleford, and then went on to form Home Service. Philip Pickett became one of Britain's most respected scholars of medieval music.
Tams was a musical director and actor at the National Theatre from 1976 to 1985 and then again from 1999 to 2001, working on such shows as The Mysteries, Lark Rise to Candleford, Glengarry Glenross, The Crucible, Golden Boy, The Good Hope and The Mysteries Revival in 1999. He was a member of the creative team headed by Bill Bryden.
In 1977, he joined the Albion Band in the National Theatre productions of Lark Rise and The Passion. Caddick later collaborated with Tim Laycock and Peter Bond in a stage show and album about circus life, called A Duck on his Head. About this time, he wrote songs for radio and TV, and performed his own songs in a film about the Tolpuddle Martyrs.
His credits include many dramas for BBC such as the popular Lark Rise to Candleford and ITV's The Vice. [ 4 ] Nott has also directed and written one feature film of his own, a 2001 comedy entitled Weak at Denise .
Home Service was formed out of members of the Albion Band, [1] who had participated in recording Rise Up Like the Sun (1978). Their establishment was partly out of the confusion caused by line-up changes when the Albion Band were playing as, in effect, a house band in Bill Bryden's National Theatre productions in the late 1970s and early 1980s, including Lark Rise to Candleford.
He was one of the pool of musicians who played with the Albion Band during their residency at the National Theatre, London, playing for Bill Bryden's company, mainly in the Cottesloe Theatre. He appears on the recording of music from Lark Rise to Candleford, although the album's attributions are inaccurate.
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