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Alchemy; Satanism: Alchemical symbols for sulfur, associated with the fire and brimstone of Hell. The third pictured, alchemical for black sulfur, is also known as a 'Leviathan Cross' or 'Satan's Cross'.
In demonology, sigils are pictorial signatures attributed to demons, angels, or other beings. In the ceremonial magic of the Middle Ages , sigils were used in the summoning of these beings and were the pictorial equivalent to their true name .
De Daemonialitate et Incubis et Succubis is a comprehensive treatise divided into several sections, each exploring different aspects of demonology and the specific phenomena of incubi and succubi. Sinistrari begins by establishing the existence of these spirits and their various manifestations, drawing from theological sources, biblical texts ...
Demonology is the study of demons within religious belief and myth. Depending on context, it can refer to studies within theology , religious doctrine , or occultism . In many faiths, it concerns the study of a hierarchy of demons .
The art of the Middle Ages was mainly religious, reflecting the relationship between God and man, created in His image. The animal often appears confronted or dominated by man, but a second current of thought stemming from Saint Paul and Aristotle, which developed from the 12th century onwards, includes animals and humans in the same community of living creatures.
A typical depiction of the Devil in Christian art. The goat, ram, dog and pig are consistently associated with the Devil. The goat, ram, dog and pig are consistently associated with the Devil. Detail of a 16th-century painting by Jacob de Backer in the National Museum, Warsaw.
The Dictionnaire Infernal (English: Infernal Dictionary) is a book on demonology, organised in hellish hierarchies. It was written by Jacques Collin de Plancy and first published in 1818. There were several editions of the book, but perhaps the most famous is the edition of 1863, in which sixty-nine illustrations were added to the book.
The painting of hell icons, known as adopis [1] or "hellography" (as opposed to iconography), was also a type of black magic in medieval Russia. Hell icons were first mentioned in the Life of St. Basil (the 16th century): Basil threw a rock at the icon of Virgin Mary before the eyes of the astonished crowd of pilgrims. Then he allegedly showed ...
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