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On its opening weekend, the film grossed $26,943 from four theaters, averaging $6,736 per theater and ranking number 53 at the box office. The film earned $376,597 domestically from 13 weeks in release, with a widest release of 50 theaters. It earned $123,128 internationally for a total gross of $499,725. [15] [16]
This list charts films the 50 biggest worldwide openings. Since many films do not open on Fridays in many markets, the 'opening' is taken to be the gross between the first day of release and the first Sunday following the movie's release. Figures prior to the year 2002 are not available.
Box office at the Ohio Theatre in Columbus, Ohio Folk festival box office in Edmonton, Alberta Ticket window at North Port High School Performing Arts Center. A box office or ticket office is a place where tickets are sold to the public for admission to an event.
People are talking about a film’s box office receipts versus whether it was a great movie. I find that really strange. When I was growing up, I didn’t know how much something was making at the ...
Ryan Reynolds has responded to Deadpool & Wolverine’s massive $438m global opening at the box office. The Green Lantern star posted an Instagram story sharing his happiness: “This is kind of ...
Free Guy grossed $121.6 million in the United States and Canada, and $209.9 million in other territories, for a worldwide total of $331.5 million. [1] [5] In the United States and Canada, Free Guy was released alongside Respect and Don't Breathe 2, and was initially projected to gross $15–18 million from 4,165 theaters in its opening weekend ...
The “Mean Girls” movie musical topped a sleepy box office as “I.S.S.,” a sci-fi thriller that takes place aboard the International Space Station, misfired in its opening weekend. “Mean ...
Breaking is a 2021 American thriller drama film starring John Boyega as a Marine Corps veteran, Brian Brown-Easley, who is in financial trouble and robs a bank. It is written and directed by Abi Damaris Corbin and co-written by Kwame Kwei-Armah, based on the true story of Brown-Easley, detailed in the 2018 Task & Purpose article "They Didn't Have to Kill Him" by Aaron Gell.
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