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The chandelier has dimensions of 27 × 12 × 12 feet (8.2 × 3.7 × 3.7 m) and is made of blown glass. The original name was Ice Blue and Spring Green Chandelier. It was created with blue, green, and yellow glass composed of fused, relatively small swirling tendrils and sharp protruding edges that extend outward from every side.
14 is a cast-glass pendant fastened by a borosilicate glass lamp holder. It can be suspended by coaxial cable in its chandelier form or fastened to the wall as a surface-mount light. [6] It has been described as giving the effect of "a candle floating in water" and is considered a classic piece of Canadian design.
Glass chandeliers requires electrical wiring, large areas of metals and light bulbs, but the results were often not aesthetically pleasing. [8] A large number of light bulbs close together can also produce too much glare. [68] Shades for the bulbs of these electroliers were therefore often added.
The articulated vintage Italian floor lamp was a find on 1stDibs, and the pair of Angelic free-blown glass bottles are by Joe Cariati. Office Terrace Photo credit: Roger Davies
In 2000, Chihuly's commission from the Victoria and Albert Museum for a 30-foot-high (9.1 m), blown-glass chandelier dominates the museum's main entrance. Chihuly's The Sun was on temporary display until January 2006 at Kew Gardens, London, England. The piece is 13 feet (4 m) high.
Lampworking can be done with many types of glass, but the most common are soda-lime glass and lead glass, both called "soft glass", and borosilicate glass, often called "hard glass". Leaded glass tubing was commonly used in the manufacture of neon signs , and many US lampworkers used it in making blown work.
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