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14 is a cast-glass pendant fastened by a borosilicate glass lamp holder. It can be suspended by coaxial cable in its chandelier form or fastened to the wall as a surface-mount light. [6] It has been described as giving the effect of "a candle floating in water" and is considered a classic piece of Canadian design.
The chandelier has dimensions of 27 × 12 × 12 feet (8.2 × 3.7 × 3.7 m) and is made of blown glass. The original name was Ice Blue and Spring Green Chandelier. It was created with blue, green, and yellow glass composed of fused, relatively small swirling tendrils and sharp protruding edges that extend outward from every side.
Glass chandeliers requires electrical wiring, large areas of metals and light bulbs, but the results were often not aesthetically pleasing. [8] A large number of light bulbs close together can also produce too much glare. [68] Shades for the bulbs of these electroliers were therefore often added.
On either side of the bed sit custom Piedmont nightstands co-designed by Kovac and Skram Furniture Company and vintage Koch & Lowy blown glass pendants from Peill & Putzler. The bed linens are ...
1992: Chandeliers, starting modestly but by the middle of the decade involving a multitude of glass orbs and shapes that in some works look like flowers, others like breasts, and still others like snakes. Chihuly has also produced a sizable volume of "Irish cylinders", [22] which are more modest in conception than his blown glass works.
In 2000, Chihuly's commission from the Victoria and Albert Museum for a 30-foot-high (9.1 m), blown-glass chandelier dominates the museum's main entrance. Chihuly's The Sun was on temporary display until January 2006 at Kew Gardens, London, England. The piece is 13 feet (4 m) high.
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