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Boyar shirts were of silk, embroidered with gold thread and decorated with pearls. The costume of Oltenia peasant women was composed of cotton shirts sewn with altițe, striped catrințe and bete. Like them, patronesses wore headlong handkerchiefs (Romanian: maramă) of floss silk or flax, that hung on the back. [5]
Popular early 1970s fashions for women included Tie dye shirts, Mexican 'peasant' blouses, [14] folk-embroidered Hungarian blouses, ponchos, capes, [15] and military surplus clothing. [16] Bottom attire for women during this time included bell-bottoms , gauchos, [ 15 ] [ 17 ] frayed jeans , midi skirts , and ankle-length maxi dresses .
Blouse is a loanword from French to English (see Wiktionary entry blouse). Originally referring to the blue blouse worn by French workmen, [3] the term "blouse" began to be applied to the various smocks and tunics worn by English farm labourers. In 1870, blouse was first referenced as being "for a young lady." [9]
For centuries, peasant women typically wore a halter top underneath a blouse or overcoat, alongside a skirt (váy or quần không đáy). It was until the 1920s in Vietnam's north area in isolated hamlets where skirts were worn. [2] Before the Nguyễn dynasty, the cross-collared robe (áo tràng vạt) was worn popularly. [3] [4]: 295
During the early 18th century the first fashion designers came to the fore as the leaders of fashion. In the 1720s, the queen's dressmaker Françoise Leclerc became sought-after by the women of the French aristocracy, [4] and in the mid century, Marie Madeleine Duchapt, Mademoiselle Alexandre and Le Sieur Beaulard all gained national recognition and expanded their customer base from the French ...
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