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The twelve Connick compositions on Other Hours was originally made for the 2001 musical Thou Shalt Not, which was the recipient of a Tony nomination for Best Original Musical Score (music & lyrics by Harry Connick Jr). A special feature is the cover artwork. Created by his mother, Anita, who died when Connick was only 13 years old.
The song's music video broke the records for the biggest music video premiere on YouTube, with 1.66 million concurrent viewers, and the most-watched music video within 24 hours, with 86.3 million views in its first day. [50] It became the fastest video to reach 100 million views, in just 32 hours, [51] and 200 million views, in seven days. [52]
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The term can also be used for kinds of easy listening, [6] lounge, piano solo, jazz or middle of the road music, or what are known as "beautiful music" radio stations.. This style of music is sometimes used to comedic effect in mass media such as film, where intense or dramatic scenes may be interrupted or interspersed with such anodyne music while characters use an elevator.
The song would wind up with two keyboards and one guitar. In the studio, the musicians worked on the song's arrangement, which took six days. Leavell created the transition between the piano and guitar solos. [5] Betts later likened the song's creation to architecture, noting that it is "meticulously constructed, and every aspect has its place ...
Part of the song was used on the Soviet television program "Mezhdunarodnaya Panorama" ("International Panorama"). The playing of the track in the program is also discussed in Victor Pelevin's 1992 novel Omon Ra. The bass riff influenced Brian Eno's song "Third Uncle" from the album Taking Tiger Mountain (By Strategy). [15]
"Java" is an instrumental adaptation from a 1958 LP of piano compositions, The Wild Sounds of New Orleans, by Tousan, also known as New Orleans producer/songwriter Allen Toussaint. As was the case of the rest of Toussaint's LP, "Java" was composed in studio, primarily by Toussaint.
After Hours" is a blues piano composition composed by pianist Avery Parrish. It is usually played in G. The first recording of the song was by Parrish with the Erskine Hawkins Orchestra, on June 10, 1940, [1] and was released on the Bluebird record label. It was an instant hit, and subsequently became a jazz standard.