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Building styles in the 13 colonies were influenced by techniques and styles from England, as well as traditions brought by settlers from other parts of Europe. In New England, 17th-century colonial houses were built primarily from wood, following styles found in the southeastern counties of England. Saltbox style homes and Cape Cod style homes ...
Ornamentation is minimal, in contrast to earlier 17th-century and William and Mary styles, which prominently featured inlay, figured veneers, paint, and carving. The cabriole leg is the "most recognizable element" of Queen Anne furniture.
Roman dining table: mensa lunata Large 17th-century English folding tables. Some very early tables were made and used by the Ancient Egyptians [4] around 2500 BC, using wood and alabaster. [5] They were often little more than stone platforms used to keep objects off the floor, though a few examples of wooden tables have been found in tombs.
The yellow salon of Queen Louise of Prussia in the City Palace, Potsdam (c.1840), by Friedrich Wilhelm Klose (1804–1863). The interior portrait (portrait d'intérieur) or, in German, Zimmerbild (room picture), is a pictorial genre that appeared in Europe near the end of the 17th century and enjoyed a great vogue in the second half of the 19th century.
Years of the 17th century by country (164 C) A. 17th century in Afghanistan (1 C, 1 P) 17th century in Albania (1 C, 2 P) 17th century in Algeria (2 C, 5 P)
The original Knole Settee (also known as the Knole Sofa) is a couch chair made in the 17th century, probably around 1640. [1] It is housed at Knole in Kent , a house owned by the Sackville-West family since 1605 but now in the care of the National Trust .
Italian Baroque interior design refers to high-style furnishing and interior decorating carried out in Italy during the Baroque period, which lasted from the early 17th to the mid-18th century. In provincial areas, Baroque forms such as the clothes-press or armadio continued to be used into the 19th century.
The Louis XVI style was a reaction to and transition the French Baroque style, which had dominated French architecture, decoration and art since the mid-17th century, and partly from a desire to establish a new Beau idéal, or ideal of beauty, based on the purity and grandeur of the art of the Ancient Romans and Greeks.