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"Opus 35 Listening Guide - Variations on a theme of Paganini (Studies for Piano)". Zhou, Wenli (2012). Piano Variations by Liszt, Brahms and Rachmaninoff on a Theme by Paganini (PDF) . Rice University. Book 1, Book 2 played by Julius Katchen; Variations on a Theme of Paganini (selected) played by Arturo Benedetti Michelangeli
James Barnes: Fantasy Variations on a Theme by Niccolò Paganini (concert band; the theme is the Caprice No. 24) Boris Blacher: Variations on a Theme by Paganini (orchestra; 1947) Hans Bottermund: Variations on a Theme by Paganini (solo cello) Johannes Brahms: Variations on a Theme of Paganini, Op. 35 (piano; 1863)
Brahms: Variations on a Theme of Paganini (Op. 35), manuscript sketches elaborated on (given a more virtuosic flavor) by Tausig and returned to Brahms for completion (c1862-63) Chopin: Étude (Op. 10 No. 2) [reconstructed] (c1862-63) Chopin: Étude (Op. 25 No. 2), transcription in double notes (sixths and thirds in the right hand) [lost ...
The 24th variation is more playful in tone than most of the other variations, ending with a glissando sweep of the keyboard, before quoting the original theme in the last bar. [7] Due to the speed and the large leaps on the piano, the 24th and last variation of the rhapsody presents considerable technical difficulty for the pianist.
A. 1b/1-36: Various performance materials to works by other composers see [6] for list A. 2a/1-29: Various lost works see [6] for list A. 2b/1-7: Various lost arrangements by Brahms of other composers' works see [6] for list A. 3/14-19: Various sketches and sketchbooks see [6] for list A. 5a/1-3: Various collections of folk songs, notated by Brahms
Boris Blacher – Variations on a Theme by Paganini (1947), for orchestra; Hans Bottermund – Variations on a Theme by Paganini, for cello solo; Johannes Brahms – Variations on a Theme of Paganini, Op. 35 (1862–63), for solo piano (2 books) Charles Camilleri – Paganiana, for two pianos
Eugène Ysaÿe – Paganini Variations for violin and piano; The Caprice No. 24 in A minor, Op. 1, (Tema con variazioni) has been the basis of works by many other composers. Notable examples include Brahms's Variations on a Theme of Paganini and Rachmaninoff's Rhapsody on a Theme of Paganini.
As a result, Brahms's piece is sometimes referred to today, in recordings and concert programs, as the St. Anthony Variations or Variations on the St. Anthony Chorale, in addition to the original title that Brahms gave it. A detailed survey of the controversy can be found in Douglas Yeo's 2004 edition of the "Haydn" piece (ISMN M-57015-175-1). [3]