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Inferno (Italian: [iɱˈfɛrno]; Italian for 'Hell') is the first part of Italian writer Dante Alighieri's 14th-century narrative poem The Divine Comedy, followed by Purgatorio and Paradiso. The Inferno describes the journey of a fictionalised version of Dante himself through Hell , guided by the ancient Roman poet Virgil .
Inferno depicts a vision of hell divided into nine concentric circles, each home to souls guilty of a particular class of sin. [3] Led by his guide, the Roman poet Virgil, Dante enters the first circle of hell in Inferno 's Canto IV. The first circle is Limbo, the resting place of souls who "never sinned" but whose "merit falls far short". [4]
A complete listing and criticism of all English translations of at least one of the three cantiche (parts) was made by Cunningham in 1966. [12] The table below summarises Cunningham's data with additions between 1966 and the present, many of which are taken from the Dante Society of America's yearly North American bibliography [13] and Società Dantesca Italiana [] 's international ...
Dante gazes at Mount Purgatory in an allegorical portrait by Agnolo Bronzino, painted c. 1530. The Divine Comedy is composed of 14,233 lines that are divided into three cantiche (singular cantica) – Inferno (), Purgatorio (), and Paradiso () – each consisting of 33 cantos (Italian plural canti).
The narrator echoes Inferno 2.32 in the poem (2.588–592). The Monk's Tale from The Canterbury Tales describes (in greater and more emphatic detail) the plight of Count Ugolino (Inferno, cantos 32 and 33), referring explicitly to Dante's original text in 7.2459–2462.
In Dante's Inferno the Harrowing of Hell is mentioned in Canto IV by the pilgrim's guide Virgil. Virgil was in Limbo (the first circle of Hell) in the first place because he was not exposed to Christianity in his lifetime, and therefore he describes Christ in generic terms as a "mighty one" who rescued the Hebrew forefathers of Christianity ...
The word contrapasso can be found in Inferno, in which the decapitated Bertran de Born declares: Così s'osserva in me lo Contrapasso (XXVIII.142), [6] which was translated by Longfellow as "thus is observed in me the counterpoise", [7] and by Singleton as "thus is the retribution observed in me."
The English word hell does not appear in the Greek New Testament; instead one of three words is used: the Greek words Tartarus or Hades, or the Hebrew word Gehinnom. In the Septuagint and New Testament, the authors used the Greek term Hades for the Hebrew Sheol, but often with Jewish rather than Greek concepts in mind.