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Field of Lost Shoes Theatrical release poster Directed by Sean McNamara Written by Dave Kennedy Thomas Farrell Produced by Dave Kennedy Thomas Farrell Starring Luke Benward Lauren Holly Jason Isaacs Tom Skerritt Keith David David Arquette Cinematography Brad Shield Edited by Jeff Canavan Music by Frederik Wiedmann Production company Brookwell McNamara Entertainment Release date April 13, 2014 ...
Roger Joseph Ebert (/ ˈ iː b ər t / EE-bərt; June 18, 1942 – April 4, 2013) was an American film critic, film historian, journalist, essayist, screenwriter and author.He was the film critic for the Chicago Sun-Times from 1967 until his death in 2013.
RogerEbert.com is an American film review website that archives reviews written by film critic Roger Ebert for the Chicago Sun-Times and also shares other critics' reviews and essays. The website, underwritten by the Chicago Sun-Times, was launched in 2002. [1] Ebert handpicked writers from around the world to contribute to the website.
In 1982, the pair left Sneak Previews to create the syndicated show At the Movies. [2] Following a contract dispute with Tribune Media in 1986, Siskel and Ebert signed with Buena Vista Television, creating Siskel & Ebert & the Movies (later renamed Siskel & Ebert, and renamed again several times after Siskel's death). [2]
Related: 25 Best Alternative Christmas Movies 5. Die Hard is a little formulaic, over-the-top, and comforting—just like so many of the best Christmas movies.. Die Hard stands out because of the ...
At the Movies (also known as At the Movies with Gene Siskel and Roger Ebert) is an American movie review television program that aired from 1982 to 1990. It was produced by Tribune Entertainment and was created by Gene Siskel and Roger Ebert when they left their show Sneak Previews, which they began on Chicago's PBS station, WTTW, in 1975.
Kids will get a kick out of the sprightly and silly Puss in Boots: The Last Wish – but really, this one is for the millennials.Antonio Banderas’s pint-sized feline rogue, with his thigh-high ...
Undemandingly entertaining, director Mark Bristol’s well-crafted indie can be savored as a heaping helping of palate-cleansing sherbet, best enjoyed between viewings of bigger and louder but by ...