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Indigo dye. The primary use for indigo is as a dye for cotton yarn, mainly used in the production of denim cloth suitable for blue jeans; on average, a pair of blue jeans requires 3 grams (0.11 oz) to 12 grams (0.42 oz) of dye. Smaller quantities are used in the dyeing of wool and silk.
Tsutsugaki (筒描) is a Japanese technique of resist dyeing that involves drawing rice-paste designs on cloth, dyeing the cloth, and then washing off the paste. [ 1 ] The rice paste is typically made from sweet rice, which has a high starch content and is therefore rather sticky.
The usage of indigo dyestuff (ai) and indigo dyeing techniques (aizome) was common, [5] with indigo dyes often being the only dyestuff available to use by the peasant classes. Indigo dye would often be grown and processed by the peasant classes themselves, being generally easy to grow, and also added a layer of protection to garments due to its ...
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Blue colorants around the world were derived from indigo dye-bearing plants, primarily those in the genus Indigofera, which are native to the tropics. The primary commercial indigo species in Asia was true indigo (Indigofera tinctoria). India is believed to be the oldest center of indigo dyeing in the Old World. It was a primary supplier of ...
The liquid can be applied with a variety of tools, such as a small blunt knife (mmanwauli), slivers of wood, or metal combs. [8] The dye then oxidizes, staining the skin an indigo color that lasts for approximately 8 days. After the staining process is complete, the skin is rubbed with oil in order to create a distinctive sheen. [5]
Ajrak: a traditional block printed shawl of Sindh, ajrak displays many special designs and patterns made using wooden stamps, and dyed with both vegetable dyes and mineral dyes, madder and indigo are important. Ajrak printed sheet. Maleer: is block printed shawl used by women, nowadays so many designs of maleer are used as dress.
The technique chosen and the resulting dyed fabric depends upon both the type of fabric and the dyestuff used; shibori demands a pliant and easy-to-handle fabric, with some historic dyeing techniques – such as the original technique of tsujigahana – now impossible to recreate entirely due to the fact that the fabric necessary for the ...
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