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Most fancy pictures depict children or young women, life-size or somewhat smaller, but some are landscapes with figures. [1] The people depicted are more "democratic" than the upper-class subjects of portraits, [2] and are characteristically portrayed with what has been termed "a sort of contrived innocence", [1] sometimes eroticised. [1] [2]
He took refuge in a family home at Rigny near Gray occupied by the postmaster Georges Anthony, his wife Louise (née Demandre) and their children. As a thank-you for their hospitality, Prud'hon painted this work and a portrait of Georges beside a horse (now in the Musée des Beaux-Arts de Dijon), both completed in 1796, the year he left their home.
18th; 19th; 20th; 21st; 22nd; 23rd; Subcategories. This category has the following 11 subcategories, out of 11 total. B. ... Pages in category "18th-century portraits"
Most of the 18th-century portraits occupy a placid middle ground between the styles of the two dominant male artists of the time, Thomas Gainsborough and Joshua Reynolds, typified by Katherine ...
She died in 1782 and the children are thought to have been added in 1784 or 1785. The painting was given to the Dulwich Picture Gallery in 1831 by Thomas Moody, one of the sons shown in the work, possibly to prevent it from passing to his step-mother, with whom he was not on friendly terms.
Catherine Read (or Katherine; 3 February 1723 - 15 December 1778) was a Scottish artist. Born in the early 18th century, she is most known for her work as a portrait-painter.
Portrait of a lady, half-length, in a silver white gown [6] Portrait of a lady in a yellow dress seated, with a wooded landscape beyond [6] Portrait of a Lady with a Country Estate in the Distance [6] Portrait of a woman, Lady Middleton [6] Portrait of Elizabeth Johnson, wife of Samuel Johnson, c. 1735
Marie-Denise Lemoine was born in Paris to Charles Lemoine and Marie-Anne Rouselle. Two of her three sisters, Marie-Victoire Lemoine (1754–1820) and Marie-Élisabeth Gabiou (1755–1812), as well as distant cousin Jeanne-Elisabeth Chaudet (1767–1832), were all trained as portraitists.
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