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The bass head is pitched, the treble often unpitched, see pitched percussion instruments easily mistaken for unpitched: Dimdi India Unpitched 211.311 Membranophone Djembe: Mandinka Unpitched 211.261.1 Membranophone Dollu: India Unpitched 211.222.1 Membranophone Đông Sơn drums: Vietnam Bronze drums Drum: Membranophone Drum stick: Unpitched ...
The quinto (literally fifth in Spanish) is the smallest and highest pitched type of conga drum. It is used as the lead drum in Cuban rumba styles such as guaguancó, yambú, columbia and guarapachangueo, and it is also present in congas de comparsa. Quinto phrases are played in both triple-pulse (12/8, 6/8) and duple-pulse (4/4, 2/2) structures.
The sangban is of medium size, with higher pitch than the dundunba. Typical size is 50–60 cm (20–24 in) in length and 30–40 cm (12–16 in) in diameter. The kenkeni is the smallest dunun and has the highest pitch. Typical size is 45–50 cm (18–20 in) in length and 25–35 cm (9.8–13.8 in) in diameter.
Xylorimba, range C3-C8. The xylorimba (sometimes referred to as xylo-marimba or marimba-xylophone) is a pitched percussion instrument similar to an extended-range xylophone with a range identical to some 5-octave celestas or 5-octave marimbas, though typically an octave higher than the latter.
Percussion instruments used as both pitched and unpitched (1 C, 2 P) Pages in category "Pitched percussion instruments" The following 63 pages are in this category, out of 63 total.
This is a partitioned list of percussion instruments showing their usage as tuned or untuned. See pitched percussion instrument for discussion of the differences between tuned and untuned percussion. The term pitched percussion is now preferred to the traditional term tuned percussion: Each list is alphabetical.
The second is called the "tak" and is the higher-pitched sound produced by hitting near the edge of the head with the fingertips. A "tak" struck with the secondary hand is also known as a "ka". The third is the closed sound "pa" (also called "sak"), for which the hand is briefly rested on the head so as not to permit an open sound.
It has a distinctively loud and high-pitched sound, and was used frequently in Chinese traditional music ensembles, particularly in those that perform outdoors. It was an important instrument in the folk music of northern China, particularly in provinces of Shandong and Henan , where it has long been used for festival and military purposes.