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Howlin' Wolf recorded "Killing Floor" in Chicago in August 1964, which Chess Records released as a single. [2] According to blues guitarist and longtime Wolf associate Hubert Sumlin, the song uses the killing floor – the area of a slaughterhouse where animals are killed – as a metaphor or allegory for male-female relationships: "Down on the killing floor – that means a woman has you down ...
Chester Arthur Burnett (June 10, 1910 – January 10, 1976), better known by his stage name Howlin' Wolf, was an American blues singer, guitarist and harmonica player. He was at the forefront of transforming acoustic Delta blues into electric Chicago blues, and over a four-decade career, recorded blues, rhythm and blues, rock and roll, and psychedelic rock.
At Chess' studio in Chicago in January 1956, Howlin' Wolf recorded "Smokestack Lightning". [1] The song takes the form of "a propulsive, one-chord vamp, nominally in E major but with the flatted blue notes that make it sound like E minor", and lyrically it is "a pastiche of ancient blues lines and train references, timeless and evocative". [1]
English: A chord chart for beginner ukulele players that demonstrates the correct fingerings to play the 36 basic chords. Whereas most chord charts display the fretboard vertically to save space, here the fretboard is intentionally horizontal (as how a ukulele is held) to make it easier for beginners (the target audience of this chart) to use.
It should only contain pages that are Howlin' Wolf songs or lists of Howlin' Wolf songs, as well as subcategories containing those things (themselves set categories). Topics about Howlin' Wolf songs in general should be placed in relevant topic categories .
The Real Folk Blues is a series of blues albums released between 1965 and 1967 by Chess Records, later reissued MCA Records.Each album in the series highlighted the music of one major Chess artist, including John Lee Hooker, Howlin' Wolf, Muddy Waters, and Sonny Boy Williamson II.
Hooker also used the song as basis for several of his own songs, such as "Sally Mae". [2] In 1964, Howlin' Wolf recorded the song as "My Country Sugar Mama". [12] It was performed as a Chicago blues shuffle with lyrics from the Yank Rachell, Tampa Red, and Sonny Boy Williamson songs. The song was credited to Wolf as are many subsequent versions.
A key element of the song is the distinctive slide guitar, played by Howlin' Wolf, with backing by long-time accompanist Hubert Sumlin on electric guitar. [23] It is one of only two of the many songs recorded by Howlin' Wolf in the early 1960s which include his guitar playing. [24]
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