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Heart of Darkness is an 1899 novella by Polish-British novelist Joseph Conrad in which the sailor Charles Marlow tells his listeners the story of his assignment as steamer captain for a Belgian company in the African interior.
Heart of Darkness is a novel told in the first person perspective that surrounds the character Marlow as he retells the story of when he traveled through Africa for his trade company. The novel alludes to Africa as a place of darkness, thus the title referring to being in the heart of Africa or heart of "Darkness". The novel describes Africa as ...
Kurtz is an ivory trader, sent by a shadowy Belgian company into the heart of an unnamed place in Africa (generally regarded as the Congo Free State). With the help of his superior technology, Kurtz has turned himself into a charismatic demigod of all the tribes surrounding his station and gathered vast quantities of ivory in this way.
This volume also includes Heart of Darkness and The End of the Tether, stories concerned with the themes of maturity and old age, respectively. "Youth" depicts a young man's first journey to the Far East. It is narrated by Charles Marlow who is also the narrator of Lord Jim, Chance, and Heart of Darkness. The narrator's introduction suggests ...
At the same time, the choice of a non-English colonial setting freed him from an embarrassing division of loyalty: Almayer's Folly, and later "An Outpost of Progress" (1897, set in a Congo exploited by King Leopold II of Belgium) and Heart of Darkness (1899, likewise set in the Congo), contain bitter reflections on colonialism.
Marlow is also the narrator of three of Conrad's other works: Heart of Darkness, Youth, and Chance. Jim: Young parson's son who takes to the sea, training for the merchant service as steam ships mix with sailing ships. He dreams of heroic deeds. He is a strong, tall, blond Englishman whose life is the story told by Marlow.
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In Heart of Darkness the omniscient narrator observes that "yarns of seamen have a direct simplicity, the whole meaning of which lies within the shell of a cracked nut. But Marlow was not typical [...] and to him the meaning of an episode was not inside like a kernel but outside, enveloping the tale which brought it out only as a glow brings ...