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"The Grand Inquisitor" is a story within a story (called a poem by its fictional author) contained within Fyodor Dostoevsky's 1880 novel The Brothers Karamazov. It is recited by Ivan Fyodorovich Karamazov, during a conversation with his brother Alexei, a novice monk, about the possibility of a personal and benevolent God.
Tomás de Torquemada [a] OP (14 October 1420 – 16 September 1498), also anglicized as Thomas of Torquemada, was a Roman Catholic Dominican friar and first Castillian Grand Inquisitor of the Tribunal of the Holy Office, which was a group of ecclesiastical prelates created in 1478 and charged with the somewhat ill-defined task of "upholding Catholic religious orthodoxy" within the lands of the ...
Grand Inquisitor (Latin: Inquisitor Generalis, literally Inquisitor General or General Inquisitor) was the highest-ranked official of the Inquisition. The title usually refers to the inquisitor of the Spanish Inquisition , in charge of appeals and cases of aristocratic importance, even after the reunification of the inquisitions.
Such a beguiling premise shapes Armenian Vilnius-based director Marat Sargsyan’s sophomore feature, “The Grand Inquisitor.” In it, the omnipotent creature is an AI that looks like a human ...
Editor, Dostoevsky's "The Grand Inquisitor," with Related Chapters of "The Brothers Karamazov" (Indianapolis: Hackett, 1993). Includes a 40-page editor's introduction. Co-editor (with D. Pereboom), Existentialism: Basic Writings (Indianapolis: Hackett, 1995). Book introduction and introductions to Nietzsche and Heidegger.
He studied music at the Kiev Conservatory. In 1971 he won a prize in the Glinka Competition, and in 1974 he won the Tchaikovsky Competition. [1] Shortly thereafter he was hired by the Kiev Opera. [2] His international career was launched in 1989, when he sang Shaklovity in the Vienna Staatsoper's Khovanshchina, conducted by Claudio Abbado.
The torture chamber was the final destination in a progression of four cell types during incarceration at the Palace of the Inquisition. The palace contained the Judgement Hall, the offices of the employees, the private apartments of the Grand Inquisitor and the detention cells adjacent to the
In numerous cases Willam decided the accused was innocent. In one of his most consequential cases, William refused to condemn a man on charges of heresy, despite the demands of the inquisitor Bernardo Gui. The accusations of heresy stemmed from the man's translation of a Greek book that contradicted the scriptures.