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It is the national dance of Laos, and versions of it exist throughout the Lao-speaking region and even Cambodia, where it is known as ramvong. A slow and graceful couples dance, the men form an inner circle and the women an outer circle, with couples dancing around each other while moving in their respective circles.
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Lamvonglao dance during a Lao wedding ceremony in Vientiane, Laos. In Laos, romvong is known as lamvong or lamvonglao that is believed to have been part of the culture of Laos since ancient time. Lamvonglao is usually performed during several special occasions such as weddings, festivals, ceremonies, or guest welcoming.
One of the most striking features of Indian classical dance and dances of Thailand, [1] Cambodia, Laos, Myanmar and the Malay world is the use of hand gestures. Speaking in dance via gestures in order to convey outer events or things visually is what mudras do. To convey inner feelings, two classifications of mudras (hand or finger gesture) are ...
The first Filipino book written in English, The Child of Sorrow, was published in 1921. Early English literature is characterized by melodrama, figurative language, and an emphasis on local color. [265] A later theme was the search for Filipino identity, reconciling Spanish and American influence with the Philippines' Asian heritage. [266]
In Laos, the traditional folk music is referred to as ລຳ, lam /lám/, which refers to both the verb and noun 'dance', and is in general use in the central and southern areas of the country. In northern Laos, the regional folk music styles are referred to as ຂັບ, khap /kʰáp/ , and signifies 'to sing' or a 'song'.
Pangalay (also known as Daling-Daling [1] or Mengalai [2] in Sabah) [3] is the traditional "fingernail" dance of the Tausūg people of the Sulu Archipelago [4] and eastern coast Bajau of Sabah. [3] [5] [6] The dance has a similarity to classical Balinese and Thai dances, [7] [8] and involves the movements of the shoulders, elbows, and wrists [9]
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