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Its "thickening" effect is especially appreciated in Nashville, where many country music guitar players who use Fender Telecasters use it to thicken the otherwise thin sound of the single-coil guitar; besides, the compressor's lessening of the initial attack "gives the effect of a pedal steel player working his volume pedal". [3] The effect can ...
A collection of effects pedals, including several distortions: a MXR Distortion + (top row, second from left), and a Pro Co Rat, Arbiter Fuzz Face, and Electro-Harmonix Big Muff (all middle row, from left). Distortion pedals are a type of effects unit designed to add distortion to an audio signal to create a warm, gritty, or fuzzy character.
Gibson Maestro FZ-1 Fuzz-tone. The Maestro FZ-1 Fuzz-Tone was the first widely marketed fuzz distortion guitar and bass effect. Introduced in 1962, it achieved widespread popularity in 1965 after the Rolling Stones guitarist Keith Richards prominent use of the FZ-1 on the group's hit, "Satisfaction".
Bass effects are commonly available in stompbox-style pedals, which are metal or plastic boxes with a foot-operated pedal switch or button which turns the effect on and off. Most pedals also have knobs to control the tone, volume and effect level. Some bass effects are available in 19" rackmount units, which can be mounted in a road case. As ...
Jim Dunlop acquired the MXR brand in 1987 and continues the pedal line of original MXR classics, such as the Phase 90 and Dyna Comp, as well as modern pedals like the Carbon Copy and Fullbore Metal. Dunlop has also added a line dedicated to bass effects boxes, MXR Bass Innovations, which has released the Bass Octave Deluxe and Bass Envelope Filter.
Since then, he develops his own pedals, starting with a boost pedal; his most popular effect is a compressor (first built in 2001), selling more than 27,000 copies. [3] According to Guitar World, Keeley Electronics has grown into "one of the world’s top sellers of guitar effects pedals". [4]
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