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In the 1964 Japanese horror film Onibaba, an older woman wears a hannya mask after stealing it from a samurai. The 1975 Japanese experimental short film Ātman depicts a figure in an outdoor environment, wearing a robe and a hannya mask. [25] [26] The Demon (鬼), a stop-motion short film by Kihachirō Kawamoto, features an onibaba with the ...
Oni Mask [45] is a story where a young girl goes off to work at a ladies' house to make money for her ailing mother. She talks to a mask of her mother's face once she is done with her work to comfort herself. One day, the curious coworkers see the mask and decide to prank her by putting on an oni mask to replace the mother's mask.
Yūrei-zu (幽霊図) are a genre of Japanese art consisting of painted or woodblock print images of ghosts, demons and other supernatural beings. They are considered to be a subgenre of fūzokuga, "pictures of manners and customs." [1] These types of art works reached the peak of their popularity in Japan in the mid- to late 19th century. [2]
Two kami of earth, clay and pottery, either born from Izanami and Izanagi after Japan was made, or from Izanami's feces as she died from giving birth to Kagu-tsuchi. Hannya A Noh mask representing a jealous female demon. Haradashi A humanoid creature with a giant face on its stomach, that enjoys making people laugh with zany antics. Harionago
A dancing drummer wearing a Namahage costume, performed Namahage-Daiko in Akita Station.. The Namahage (生剥げ, なまはげ) [1] are demonlike beings portrayed by men wearing hefty oni (ogre) masks and traditional straw capes during a New Year's ritual, in local northern Japanese folklore of the Oga Peninsula area of Akita Prefecture.
Onryō are used as subjects in various traditional Japanese performing arts such as Noh, Kabuki, and Rakugo; for example, hannya is a Noh mask representing a female onryō. [5] The Japanese people's reverence for onryō has been passed down to the present day.
Ibaraki-dōji (茨木童子 or 茨城童子 "Ibaraki child") is an oni (demon or ogre) featured in tales of the Heian period. In the tales, Ibaraki-dōji is based on Mount Ōe, and once went on a rampage in Kyoto. The "Ibaraki" in his name may refer to Ibaraki, Osaka; "dōji" means "child
Author and folklorist Matthew Meyer has described the Kuchisake-onna legend as having roots dating back to Japan's Edo period, which spanned from the 17th to 19th centuries [1] but Japanese literature professor Iikura Yoshiyuki believes it dates from the 1970s. [3] In print, the legend of Kuchisake-onna dates back to at least as early as 1979.
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