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The term sonata was increasingly applied to either a work for keyboard alone (see piano sonata), or for keyboard and one other instrument, often the violin or cello. It was less and less frequently applied to works with more than two instrumentalists; for example, piano trios were not often labelled sonata for piano, violin, and cello.
A piano sonata is a sonata written for a solo piano. ... and the Appassionata Sonata are often considered the pinnacle of piano sonata composition. ...
The sonata form (also sonata-allegro form or first movement form) is a musical structure generally consisting of three main sections: an exposition, a development, and a recapitulation. It has been used widely since the middle of the 18th century (the early Classical period ).
Flute sonata – Sonata specifically composed for the flute. Sonatina – Short sonata, often simpler in structure and melody, used as a teaching tool or for less formal occasions. Trio sonata – Form of sonata for two melodic instruments and basso continuo. Suite – Set of instrumental compositions, typically in dance form, played in a sequence.
The solo part is often played in a rhythmically free manner, until the player performs a pickup or lead-in line, at which time the band recommences playing in the original tempo. sommo (masc.), somma (fem.) Highest, maximum; con somma passione: with the greatest passion sonata A piece played as opposed to sung sonatina A little sonata sonatine
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In the Romantic era, sonata form was first explicitly defined and became institutionalized. Academic scholars like Adolph Bernhard Marx wrote descriptions of the form, often with a normative goal; that is, a goal of stating how works in sonata form should be composed. While the first-movement form had been the subject of theoretical works, it ...