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The drum beats at the start of the theme tune were played by May's drummer, Graham Broad. May had originally composed a longer theme that featured a section in "a true cockney piano-type style" and he asked Broad for a drum "fill" to allow the theme to switch back to the main version.
According to some sources, on important state occasions the blood of sacrificial victims was at times poured into the drum. [ 3 ] Motolinia , a Franciscan friar and chronicler of post-conquest Aztec life, stated that the teponaztli, or as he called it the contrabajos (counterbass), was often played with the huehuetl skin drum to accompany ...
"The terms riff and fill are sometimes used interchangeably by musicians, but [while] the term riff usually refers to an exact musical phrase repeated throughout a song", a fill is an improvised phrase played during a section where nothing else is happening in the music. [2] While riffs are repeated, fills tend to be varied over the course of a ...
The drum parts were a considerable challenge to record - Gabriel requested that Marotta, Manu Katché and Stewart Copeland each play a take over a click track from a LinnDrum. [7] Marotta recorded a drum part with a harder rock feel, but Gabriel instead opted for Copeland's "lighter, poppier approach". [ 9 ]
A bumping pitch and a blinding light, An hour to play and the last man in. And it's not for the sake of a ribboned coat, Or the selfish hope of a season's fame, But his captain's hand on his shoulder smote "Play up! play up! and play the game!" The sand of the desert is sodden red,— Red with the wreck of a square that broke;—
Studio slang describing every quarter-note being struck on the bass drum or 'kick drum' of a trap drum kit, typically with force and usually in a 4/4 derived time signature.'Disco' music of the mid-1970's employs this pattern almost exclusively on the majority of that genre's most iconic dance songs. fuzz bass
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Tchad Blake achieved some of the tape scratching sounds found on the song by spinning some sampled drum fills around on a tape machine. Some of the vocals were processed with a Lexicon JamMan , which was responsible for creating some of the "elephant-like sounds" as described by engineer Richard Chappell.