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This diagram consists of four nodes, generally circular in shape, interconnected by six links. The three nodes at the edge of the diagram are labelled with the names of the three persons of the Trinity, traditionally the Latin-language names, or scribal abbreviations thereof: The Father ("PATER"), The Son ("FILIUS"), and The Holy Spirit ("SPIRITUS SANCTUS").
Baroque Trinity, Hendrick van Balen, 1620, (Sint-Jacobskerk, Antwerp) Holy Trinity, fresco by Luca Rossetti da Orta, 1738–39 (St. Gaudenzio Church at Ivrea). The Trinity is most commonly seen in Christian art with the Holy Spirit represented by a dove, as specified in the gospel accounts of the baptism of Christ; he is nearly always shown with wings outspread.
The first defense of the doctrine of the Trinity was by Tertullian, who was born around 150–160 AD, explicitly "defined" the Trinity as Father, Son, and Holy Spirit and defended his theology against Praxeas, [79] although he noted that the majority of the believers in his day found issue with his doctrine. [80]
The Holy Trinity is an important subject of icons in Eastern Orthodox Christianity, and has a rather different treatment from depictions in the Western Churches. There are two different types of Holy Trinity icons: the Old Testament Trinity and the New Testament Trinity (Троица Ветхозаветная and Троица ...
The symbol has been interpreted as representing the Holy Trinity, especially since the Celtic revival of the 19th century. The original intention by the early medieval artists is unknown and experts [who?] warn against over-interpretation. [2] It is, however, regularly used as a Trinitarian symbol in contemporary Catholic iconography.
In late Renaissance European iconography, the Eye, surrounded by a triangle, was an explicit symbol of the Christian Holy Trinity. [15] The Eye of Providence was later painted above an image of three faces in Pontormo's 1525 Supper at Emmaus. [5] Seventeenth-century depictions of the Eye sometimes show it surrounded by clouds or sunbursts. [16]
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