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He also played drums on the recording. Originally appearing as a track on the album James Brown Presents His Band and Five Other Great Artists, it received a single release in 1962 and became a hit, charting #5 R&B and #35 Pop. [8] A live version of the tune was the closing number on Brown's 1963 album Live at the Apollo.
Live at the Apollo is the first live album by James Brown and the Famous Flames, recorded at the Apollo Theater in Harlem in October 1962 and released in May 1963 by King Records. Capturing Brown's popular stage show for the first time on record, the album was a major commercial and critical success and cemented his status as a leading R&B star.
This is a discography chronicling the musical career of James Brown. Brown joined Bobby Byrd's vocal group The Flames in 1953, first as a drummer, and then as leading front man. Later becoming The Famous Flames , they signed with Federal Records in 1956 and recorded their first hit single, " Please, Please, Please ", which sold over a million ...
I Got The Feelin': James Brown in the '60s, three-DVD set featuring Live at the Boston Garden: April 5, 1968, Live at the Apollo '68 (DVD version of James Brown: Man to Man), and the documentary The Night James Brown Saved Boston; Soul Power (2009) (documentary) – himself (archive footage) Get on Up (2014) – himself (archive footage)
A performance of "Lost Someone" is the centerpiece of Brown's 1963 album Live at the Apollo.Nearly 11 minutes long and spanning two tracks on the original LP release (the end of Side 1 and the beginning of Side 2), it is widely regarded as the album's high point and as one of the greatest performances in its idiom on record.
Night Train, a 1997 novel by Martin Amis; Night Train (test), a 1963–1964 U.S. biological weapons test Night Train Lane (1927–2002), American football player; Night Train, the cargo vessel involved in the Night Train seizure, a 1977 drug seizure by the U.S. Coast Guard
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A Jazz.com review notes that the title track, "Night Train," is evidence of Peterson's ability to balance musical innovation with popular appeal, as demonstrated throughout the album: "By using the basic elements of crescendo and diminuendo, and arranged sections to set off the parts, Peterson turns what could have been a throwaway into a minor masterpiece."