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Polish Renaissance architecture is divided into three periods: The first period (1500–50) is the so-called "Italian" as most of Renaissance buildings of this time were designed by Italian architects, mainly from Florence, including Francesco Fiorentino and Bartolomeo Berrecci.
Italian architecture is heavily influenced from the Classical ideals of ancient Greek and ancient Roman civilizations. [2] early 15th century - The Renaissance architectural revolution masterpiece, Florence Cathedral. Completed in 1436, it challenged the ideals of architecture and engineering, especially Brunelleschi's dome. [2]
The Palazzo style began in the early 16th century essentially as a revival style which drew, like Neoclassical architecture and Gothic Revival, upon archaeological styles of architecture, in this case the palaces of the Italian Renaissance. Italian palazzi, as against villas which were set in the countryside, were part of the architecture of ...
The Italian Renaissance has a reputation for its achievements in painting, architecture, sculpture, literature, music, philosophy, science, technology, and exploration. Italy became the recognized European leader in all these areas by the late 15th century, during the era of the Peace of Lodi (1454–1494) agreed between Italian states.
Italian architecture has also widely influenced the architecture of the world. [5] Moreover, Italianate architecture, popular abroad since the 19th century, was used to describe foreign architecture which was built in an Italian style, especially modelled on Renaissance architecture.
Honour and Fleming stated the High Renaissance was the first quarter of the 16th century meaning it would have ended in 1525. By contrast, Luigi Lanzi, in his History of Italian Painting, 1795–96, stated it ended with the Sack of Rome in 1527, [12] when several artists were killed and many other dispersed from Rome, and Stokstad agrees ...
Floor plan of Palazzo Farnese "The most imposing Italian palace of the 16th century", according to Sir Banister Fletcher, [1] this palazzo was designed by Antonio da Sangallo the Younger, one of Bramante's assistants in the design of St. Peter's and an important Renaissance architect in his own right.
Masolino, Banquet of Herod, Castiglione Olona. In the first half of the 15th century, Lombardy was the Italian region where the International Gothic style had the greatest following, so much so that in Europe the expression ouvrage de Lombardie was synonymous with an object of precious workmanship, referring especially to the miniatures and jewelry that were an expression of an elitist ...
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