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Shakespeare's use of the pronoun of address: its significance in characterization and motivation, Catholic University of America, 1936 (reprinted Haskell House, 1970) OCLC 2560278. Quirk, Raymond. Shakespeare and the English Language, in Kenneth Muir and Sam Schoenbaum, eds, A New Companion to Shakespeare Studies*, 1971, Cambridge UP; Wales, Katie.
Sonnet 78 is an English or Shakespearean sonnet.The English sonnet has three quatrains, followed by a final rhyming couplet.It follows the rhyme scheme, abab cdcd efef gg and is composed in iambic pentameter, a metre based on five feet in each line, and two syllables in each foot, accented weak/strong.
Sonnet 137 is an English or Shakespearean sonnet.The English sonnet has three quatrains, followed by a final rhyming couplet.It follows the typical rhyme scheme of the form abab cdcd efef gg and is composed in iambic pentameter, a type of poetic metre based on five pairs of metrically weak/strong syllabic positions.
Shakespeare famed for his mastery of wordplay and double-meaning, such as in Sonnet 11's opening line, "As fast as thou shalt wane so fast thou grow'st." This echoes the maxim, "Youth waineth by increasing," an aside of the elderly, with which Shakespeare will conclude his series of sonnets to the young man at Sonnet 126.
Sonnet 100 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It is a member of the Fair Youth sequence, in which the poet expresses his love towards a young man. Structure
Sonnet 3 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It is often referred to as a procreation sonnet that falls within the Fair Youth sequence. In the sonnet , the speaker is urging the man being addressed to preserve something of himself and something of the image he sees in the mirror by fathering a ...
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Shakespeare's sonnets conform to the English or Shakespearean sonnet form. The form consists of fourteen lines structured as three quatrains and a couplet , rhyming abab cdcd efef gg and written in iambic pentameter , a type of poetic metre based on five pairs of metrically weak/strong syllabic positions.