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Armor of Beowulf, a mail shirt made by Wayland the Smith. (Anglo-Saxon mythology) Armor of Örvar-Oddr, an impenetrable "silken mailcoat". (Norse mythology) Babr-e Bayan, a suit of armor that Rostam wore in wars described in the Persian epic Shahnameh. The armor was invulnerable against fire, water and weapons. (Persian mythology)
The Pantheon (UK: / ˈ p æ n θ i ə n /, US: /-ɒ n /; [1] Latin: Pantheum, [nb 1] from Ancient Greek Πάνθειον (Pantheion) '[temple] of all the gods') is a former Roman temple and, since AD 609, a Catholic church (Italian: Basilica Santa Maria ad Martyres or Basilica of St. Mary and the Martyrs) in Rome, Italy.
Following is a list of pantheons of deities in specific spiritual practices: . African pantheons; Armenian pantheon; Aztec pantheon; Buddhist pantheon; Berber pantheon; Burmese pantheon
A galea (, from Greek γαλέη, galéē, "weasel, marten") [1] was a Roman soldier's metal helmet, most famously worn by the heavy infantry of the legions. Some gladiators , specifically murmillo ( myrmillo ), also wore bronze galeae with face masks and decorations, often a fish on its crest. [ 2 ]
The nō or noh mask evolved from the gigaku and bugaku and are acted entirely by men. The masks are worn throughout very long performances and are consequently very light. The nō mask is the supreme achievement of Japanese mask-making. Nō masks represent gods, men, women, madmen and devils, and each category has many sub-divisions.
The remaining portions of the helmet consist of three main parts: a face mask, a brow band, and ear and neck guards on either side. [2] [3] An iron skull cap was designed to closely follow the outline of the wearer's head, although due to significant oxidation, only fragments remain; what remains shows that it was originally skillfully hammered to represent elaborately dressed hair.
The Mouth of Truth (Italian: Bocca della Verità [ˈbokka della veriˈta]) is an ancient Roman marble mask in Rome, Italy, which stands against the left wall of the portico of the Santa Maria in Cosmedin church, at the Piazza della Bocca della Verità, the site of the ancient Forum Boarium (the ancient cattle market).
Schliemann claimed that one of the masks he discovered was the mask of King Agamemnon, and that this was the burial site of the legendary king from Homer's Iliad. [4]The masks were likely direct representations of the deceased, symbolizing a continuation of the dead's identity in death, similar to funerary statues and incisions, immortalizing an idealized depiction of the deceased.
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