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Like many of Church's paintings, the picture is likely a composite of sketches taken in the field, especially in Maine, which he visited often. He travelled many times in the 1850s to Mount Desert Island and Mount Katahdin, then an especially remote area. [3] Like Church's other major works, it is a highly detailed view of nature.
This worship service is traditionally held on or around the longest night of the year, which falls on or about December 21, the Winter Solstice. There is an interesting convergence for this day as it is also the traditional feast day for Saint Thomas the Apostle. This linkage invites making some connections between Saint Thomas's struggle to ...
This is a list of works by Frederic Edwin Church (1826–1900), an American landscape painter who was part of the Hudson River School. Church's paintings were inspired by his travels, including Africa, Europe, the Middle East, South America, and North America. [1] Sketches are excluded—Church made thousands—unless they are in oil and very ...
By the last quarter of the century, manuscripts of the Ghent–Bruges school often include a set, including two or three winter scenes for the coldest months, some with a snowy landscape. The snowy landscape as a genre in painting really begins in the 1560's with five paintings by Pieter Bruegel the Elder made between 1563 and perhaps 1567.
Openclipart, also called Open Clip Art Library, is an online media repository of free-content vector clip art.The project hosts over 160,000 free graphics and has billed itself as "the largest community of artists making the best free original clipart for you to use for absolutely any reason".
The prime version of The Shortening Winter's Day is near a Close (Lady Lever Art Gallery) was exhibited at the Royal Academy in 1903. [7]The 82 x 120 cm version does not have a definitive date it was painted, but it is probable it was soon after the exhibition of 1903 and likely to have been painted to satisfy a patron that had been disappointed not to be able to purchase the exhibited ...
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Albrecht Dürer produced a total of three print cycles of the Passion of Christ: large (7 scenes before 1500, with a further 5 in 1510) and small (36 scenes in 1510) cycles in woodcut, [14] and one in engraving (16 scenes, 1507–1512). [15]
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