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The San refer to themselves as their individual nations, such as ǃKung (also spelled ǃXuun, including the Juǀʼhoansi), ǀXam, Nǁnǂe (part of the ǂKhomani), Kxoe (Khwe and ǁAni), Haiǁom, Ncoakhoe, Tshuwau, Gǁana and Gǀui (ǀGwi), etc. [16] [17] [10] [18] [19] Representatives of San peoples in 2003 stated their preference for the use ...
The people were predominantly Afrikaans-speaking Gonaqua Khoi, but the settlement also began to attract other Khoi, Xhosa and mixed-race groups of the Cape. The so-called "Bushman wars" [year needed] were to a large extent the response of the San after their dispossession. [citation needed]
Detail of a San rock painting in the Drakensberg. The San, or Bushmen, are indigenous people in Southern Africa particularly in what is now South Africa and Botswana. Their ancient rock paintings and carvings (collectively called rock art) are found in caves and on rock shelters. The artwork depicts non-human beings, hunters, and half-human ...
Khoisan was proposed as one of the four families of African languages in Joseph Greenberg's classification (1949–1954, revised in 1963). However, linguists who study Khoisan languages reject their unity, and the name "Khoisan" is used by them as a term of convenience without any implication of linguistic validity, much as "Papuan" and "Australian" are.
The accepted term for the two people being Khoisan. [2] The designation "Khoekhoe" is actually a kare or praise address, not an ethnic endonym, but it has been used in the literature as an ethnic term for Khoe -speaking peoples of Southern Africa, particularly pastoralist groups, such as the Griqua , Gona, Nama , Khoemana and Damara nations.
In seventeenth-century Dutch, Hottentot was at times used to denote all black people (synonymously with Kaffir, which was at times likewise used for Cape Coloureds and Khoisans), but at least some speakers used the term Hottentot specifically for what they thought of as a race distinct from the supposedly darker-skinned people referred to as Kaffirs.
The ǃKung people of Southern Africa recognize a Supreme Being, ǃXu, who is the Creator and Upholder of life. [4] Like other African High Gods, he also punishes man by means of the weather, and the Otjimpolo-ǃKung know him as Erob, who "knows everything". [5]
Riel (or Rieldans) is a Khoisan word for an ancient celebratory dance performed by the San (also known as Bushmen), Nama and Khoi. [1] It is considered one of the oldest dancing styles of indigenous South Africa. Also known as Ikhapara by the Nama, it is danced at an energetic pace and demands a lot of fancy footwork. [2] [3]