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Ramsgate Sands, also known as Life at the Seaside, is an oil-on-canvas painting by the English artist William Powell Frith, who worked on it from 1851 to 1854.The painting, which depicts a beach scene in Ramsgate, was Frith's first great commercial success: it was exhibited at the Royal Academy summer exhibition in 1854, and bought by Queen Victoria.
The painting shows the beach at Scheveningen, on the North Sea coast a few miles from The Hague, on a stormy day on 21 or 22 August 1882. The painting was made quickly, en plein air, on an easel at the beach, with the wind whipping up sand and nearly blowing Van Gogh off his feet. He managed to scrape most of the wind-blown sand off the thick ...
The scene is painted with thick impasto, emphasizing the tumultuous waves and uneven sea. To achieve this effect, Van Gogh squeezed paint directly onto the canvas and created texture using his palette knife rather than a traditional brush. This is most visible in the crest of the waves crashing in the painting's foreground.
Summer Evening on Skagen's Southern Beach (Danish: Sommeraften på Skagen Sønderstrand) is a painting by Peder Severin Krøyer (1851–1909), from 1893, and is counted as one of his masterpieces. [ 1 ] [ 2 ] Krøyer was one of the most notable members of the Danish artistic community known as the Skagen Painters .
Midsummer Eve Bonfire on Skagen Beach (Danish: Sankt Hansblus på Skagen strand) is a 1906 painting by the Danish artist P.S. Krøyer.The large work, which took several years to complete, shows many of the artists in the group known as the Skagen Painters as well as influential members of Skagen's local community.
At least some of the work was painted en plein air, as evidenced by beach sand embedded within the paint, discovered later by conservators.Its composition and bridge show the influence of Japanese art; a similar bridge motif was commonly used by the American painter James McNeill Whistler, a major influence on Conder and other members of the Heidelberg School. [3]
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