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SCART is a European "unified" A/V interface for bi-directional stereo audio, composite video and s-video, and unidirectional RGBS and data. YP B P R is also available in some non-standard set-ups via the RGB pins. S-Video (a.k.a. separate video, split video, super-video, and Y/C) 1979
RCA jack, normally yellow (often accompanied with red and white for right and left audio channels respectively) S-Video (Separate Video). Carries standard definition video and does not carry audio on the same cable. Mini-DIN 4-pin Component. In popular use, it refers to a type of analog video information that is transmitted or stored as three ...
S-Video (also known as separate video, Y/C, and erroneously Super-Video) [1] is an analog video signal format that carries standard-definition video, typically at 525 lines or 625 lines. It encodes video luma and chrominance on two separate channels, achieving higher image quality than composite video which encodes all video information on one ...
A Shure FP24 preamp's mono XLR line outputs connected to an Edirol R-09 recorder's 3.5mm stereo jack line input, using a Y-cable. This is an example of consolidating connectors, as described below.
A 15-pin VGA connector for a personal computer A 21-pin SCART or JP21 connector for a television. The various RGB (red, green, blue) analog component video standards (e.g., RGBS, RGBHV, RGsB) use no compression and impose no real limit on color depth or resolution, but require large bandwidth to carry the signal and contain a lot of redundant data since each channel typically includes much of ...
A composite video signal combines, on one wire, the video information required to recreate a color picture, as well as line and frame synchronization pulses. The color video signal is a linear combination of the luminance (Y) of the picture and a chrominance subcarrier which carries the color information (C), a combination of hue and saturation .
In television, unlike monophonic radio, at least two signals should be transmitted; audio (AF) and video (VF) signals.. Transmitting those signals by means of separate transmitters and antenna systems is a very costly solution, because every stage must be used twice, one for AF and one for VF.
With the introduction of SMPTE timecode in the early 1970s, engineers began to use computers to perfectly synchronize separate audio and video playback, or multiple audio tape machines. In this system, one track of each machine carried the timecode signal, while the remaining tracks were available for sound recording.
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