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In the animated film based on the video game called Dante's Inferno: An Animated Epic, the appearance of Phlegyas (whose vocal effects are provided by Kevin Michael Richardson) is more toned down as he appears in the film as a green-skinned humanoid who willingly took Dante and Virgil through the fifth circle of Hell without incident. He was ...
Eunoe [needs IPA] (Italian: Eunoè; Ancient Greek: Εὐνοη, romanized: Eúnoē) is a feature of Dante's Divine Comedy created by Dante as the fifth river of the dead (taking into consideration that Cocytus was described as a lake rather than a river).
Dante, poised between the mountain of purgatory and the city of Florence, a detail of a painting by Domenico di Michelino, Florence 1465.. The Divine Comedy by Dante Alighieri is a long allegorical poem in three parts (or canticas): the Inferno (), Purgatorio (), and Paradiso (), and 100 cantos, with the Inferno having 34, Purgatorio having 33, and Paradiso having 33 cantos.
In Dante's Divine Comedy, the Fates are mentioned in both Inferno (XXXIII.126) and Purgatorio (XXI.25-27, XXV.79-81) by their Greek names, and their traditional role in measuring out and determining the length of human life is assumed by the narrator. Macbeth and Banquo meeting the three weird sisters in a woodcut from Holinshed's Chronicles.
In Greek mythology, the Hecatoncheires (Ancient Greek: Ἑκατόγχειρες, romanized: Hekatóncheires, lit. 'Hundred-Handed Ones'), also called Hundred-Handers or Centimanes [1] (/ ˈ s ɛ n t ɪ m eɪ n z /; Latin: Centimani), were three monstrous giants, of enormous size and strength, each with fifty heads and one hundred arms.
Circe (/ ˈ s ər s iː /; [1] Ancient Greek: Κίρκη : Kírkē) is an enchantress and a minor goddess in ancient Greek mythology and religion. [2] In most accounts, Circe is described as the daughter of the sun god Helios and the Oceanid nymph Perse. Circe was renowned for her vast knowledge of potions and herbs.
The Greek connection no doubt grows out of Ubisoft Quebec's efforts on Odyssey and its similar setting. The biggest touchstone of all, however, may be Nintendo's beloved Zelda game, Breath of the ...
Tithonus has been taken by the allegorist to mean ‘a grant of a stretching-out’ (from teinō and ōnė), a reference to the stretching-out of his life, at Eos’s plea; but it is likely, rather, to have been a masculine form of Eos’s own name, Titonë – from titō, ‘day [2] and onë, ‘queen’ – and to have meant ‘partner of the Queen of Day’.