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The style of architecture and design under King Louis Philippe I (1830–1848) was a more eclectic development of French neoclassicism, incorporating elements of neo-Gothic and other styles. It was the first French decorative style imposed not by royalty, but by the tastes of the growing French upper class.
This style was also as "Cathedral style" ("À la catédrale") or "Troubadour style" ("style troubadour"). [1] [2] For a long time, it was believed that romanticism was the cause of the return to the Gothic style in French decorative arts and that it was appropriate to look for its origin there. This is actually much further away.
The Gothic rose also became a popular decoration on furniture, along with stylized palmettes and other floral designs. Comfort was another consideration in the design of new chairs. The Voltaire armchair, with sabre-curved front legs, a high curving padded back and padded armrests, became popular. [12]
Gothic façade of the Parlement de Rouen in France, built between 1499 and 1508, which inspired neo-Gothic revival in the 19th century. French neo-Gothic had its roots in the French medieval Gothic architecture, where it was created in the 12th century. Gothic architecture was sometimes known during the medieval period as the "Opus Francigenum ...
Settees were made at this time whose backs consisted of several just such immense scallops as those of these Holland House Gilt Chamber chairs; [3] and the same idea of decoration peeps out in fan-like frills at every spare corner of the Neo-Jacobean revival of the style. These shell forms of furniture might befit an oceanside home, but they ...
The chairs had curving à cabriolet legs and cartouche-shaped backs, combined with neoclassic garlands and friezes. Oeben refurnished Versailles and other royal palaces with innovative new kinds of furniture; the cylinder, or roll-top desk; the table with a mechanical writing surface that could be raised; and the drop-front desk.
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