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  2. Blues scale - Wikipedia

    en.wikipedia.org/wiki/Blues_scale

    The term blues scale refers to several different scales with differing numbers of pitches and related characteristics. A blues scale is often formed by the addition of an out-of-key "blue note" to an existing scale, notably the flat fifth addition to the minor pentatonic scale. However, the heptatonic blues scale can be considered a major scale ...

  3. List of musical scales and modes - Wikipedia

    en.wikipedia.org/wiki/List_of_musical_scales_and...

    Blues scale on C. Play ... Minor pentatonic scale: Minor pentatonic scale on A. Play ...

  4. Pentatonic scale - Wikipedia

    en.wikipedia.org/wiki/Pentatonic_scale

    For example, the blues scale is predominantly derived from the minor pentatonic scale, a very popular scale for improvisation in the realms of blues and rock alike. [74] For instance, over a C major triad (C, E, G) in the key of C major, the note F can be perceived as dissonant as it is a half step above the major third (E) of the chord.

  5. Hexatonic scale - Wikipedia

    en.wikipedia.org/wiki/Hexatonic_scale

    The blues scale is so named for its use of blue notes. Since blue notes are alternate inflections, strictly speaking there can be no one blues scale, [8] but the scale most commonly called "the blues scale" comprises the minor pentatonic scale and an additional flat 5th scale degree: C E ♭ F G ♭ G B ♭ C. [9] [10] [11]

  6. Jazz scale - Wikipedia

    en.wikipedia.org/wiki/Jazz_scale

    The six-note blues scale consists of the minor pentatonic scale plus a chromatic passing tone between the 4 and 5. This added note can be spelled as either ♭ 5 or ♯ 4. Guitarists often mix the major and minor pentatonics together along with the blues scale. Another common blues scale has nine notes (shown to the right).

  7. Minor scale - Wikipedia

    en.wikipedia.org/wiki/Minor_scale

    The hexatonic (6-note) blues scale is similar to the minor pentatonic scale and fits the above definition. However, the flat fifth is present as a passing tone along with the perfect fifth, and the scale is often played with microtonal mixing of the major and minor thirds – thus making it harder to classify as a "major" or "minor" scale.

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