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Tone is the use of pitch in language to distinguish lexical or grammatical meaning—that is, to distinguish or to inflect words. [1] All oral languages use pitch to express emotional and other para-linguistic information and to convey emphasis, contrast and other such features in what is called intonation, but not all languages use tones to distinguish words or their inflections, analogously ...
Tone letters are then chosen based on the f 0 tone contours over this region. [13] [14] This linear approach is systematic, but it does not always align the beginning and end of each tone with the proposed tone levels. [15] Chao's earlier description of the tone levels is an exponential approach.
Chart invented by the Chinese linguist Yuen Ren Chao illustrating the contours of the four tones of Standard Chinese. When the pitch descends, the contour is called a falling tone; when it ascends, a rising tone; when it descends and then returns, a dipping or falling-rising tone; and when it ascends and then returns, it is called a peaking or rising-falling tone.
Authors create tone through the use of various other literary elements, such as diction or word choice; syntax, the grammatical arrangement of words in a text for effect; imagery, or vivid appeals to the senses; details, facts that are included or omitted; and figurative language, the comparison of seemingly unrelated things for sub-textual ...
In Mandarin, the numeral "one", originally in tone 1, is pronounced in tone 4 if followed by a classifier in tone 1, 2, or 3. It is pronounced in tone 2 if the classifier has tone 4. In Taiwanese tone sandhi, tone 1 is pronounced as tone 7 if followed by another syllable in a polysyllabic word. Some romanization schemes, like Jyutping, use tone ...
Tone and mood are not the same. The tone of a piece of literature is the speaker's or narrator's attitude towards the subject, rather than what the reader feels, as in mood. Mood is the general feeling or atmosphere that a piece of writing creates within the reader. Mood is produced most effectively through the use of setting, theme, voice and
In the fixed-tone pattern type of verse, poems were written according to preexisting models known as "tunes". This was the case with the ci and the qu: an individual poem was written so that its tone pattern (and line lengths) were the same as one of the model types, the poetic variation was in the change in the particular wording of the lyrics.
The two modified tones are high level, like tone 1, and mid rising, like tone 2, though for some people not as high as tone 2. The high level changed tone is more common for speakers with a high falling tone; for others, mid rising (or its variant realization) is the main changed tone, in which case it only operates on those syllables with a ...