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Paris, Leslie. "Happily Ever After: Free to Be ... You and Me, Second-Wave Feminism, and 1970s American Children's Culture". pp. 519–538. Rotskoff, Lori, and Laura L. Lovett. When We Were Free to Be... Looking Back at a Children's Classic and the Difference It Made. Chapel Hill: University of North Carolina Press, 2012. ISBN 978-0-807-83755-9.
Timpani is an Italian plural, the singular of which is timpano. However, in English the term timpano is only widely in use by practitioners: several are more typically referred to collectively as kettledrums, timpani, temple drums, or timps. They are also often incorrectly termed timpanis. A musician who plays timpani is a timpanist.
German for B natural; B in German means B flat Hauptstimme (Ger.) Main voice, chief part (i.e. the contrapuntal line of primary importance, in opposition to Nebenstimme) hemiola (English, from Greek) The imposition of a pattern of rhythm or articulation other than that implied by the time signature; specifically, in triple time (for example in 3
Pages in category "German-language video albums" The following 4 pages are in this category, out of 4 total. This list may not reflect recent changes. L.
Bernd Alois Zimmermann (20 March 1918 – 10 August 1970) was a German composer. He is perhaps best known for his opera Die Soldaten, which is regarded as one of the most important German operas of the 20th century, after those of Berg. [1]
The primary table features recordings of the standard version with full orchestra. Additional recordings that use either the two-piano and timpani version by Brahms himself or arrangements by other composers are provided in list format below the main table.
By the 17th century, the timpani moved indoors for good and composers began to demand more from timpanists than ever before. The timpani was first introduced to the court orchestras and opera ensembles as well as in larger church works. [7] Due to this move indoors, a much more formalized way of playing and approaching the timpani was developed.
Hugo Ferdinand Winterhalter was born in Wilkes-Barre, Pennsylvania, United States, on August 15, 1909, [1] to Hugo Winterhalter and Mary Gallagher, both second generation German-Americans. [2] He graduated from Mount St. Mary's in Emmitsburg, Maryland , [ 1 ] in 1931, where he played saxophone for the orchestra and sang in two of the choirs.