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The Seven Deadly Sins and the Four Last Things is a painting attributed to the Early Netherlandish artist Hieronymus Bosch [1] [2] or to a follower of his, [3] completed around 1500 or later. Since 1898 its authenticity has been questioned several times.
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[7] [44] [45] The BRCP has also questioned whether two well-known paintings traditionally accepted to be by Bosch, The Seven Deadly Sins in the Prado and Christ Carrying the Cross in the Museum of Fine Arts, Ghent should instead be credited to the artist's workshop rather than to the painter's own hand. [46]
There appears to be a series of illustrations of the Seven deadly sins distributed among the details of the painting. The reliefs just over Rolin's head show (from left) the expulsion of Adam and Eve from Paradise ( Pride ), the Killing of Abel by Cain ( Envy ) and the Drunkenness of Noah ( Gluttony ).
Camille Benoit donated it in 1918. The Louvre restored it in 2015. The surviving painting is a fragment of a triptych that was cut into several parts. This piece, originally part of a larger body of work relating to the seven deadly sins, depicts the sin of gluttony. [1]
Hieronymus Bosch's 1500 painting The Seven Deadly Sins and the Four Last Things.The four outer discs depict (clockwise from top left) Death, Judgment, Heaven, and Hell. In Christian eschatology, the Four Last Things (Latin: quattuor novissima) [1] are Death, Judgment, Heaven, and Hell, the four last stages of the soul in life and the afterlife.
The seven deadly sins (also known as the capital vices or cardinal sins) function as a grouping classification of major vices within the teachings of Christianity. [1] According to the standard list, the seven deadly sins in Christianity are pride , greed , wrath , envy , lust , gluttony , and sloth .
The Seven Deadly Sins of Modern Times (1993) is an acrylic painting on a wooden table by the contemporary Australian artist Susan Dorothea White, where she proposes that today's deadly sins are the opposite of the original ones.
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