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Francis Davis (born August 30, 1946) is an American author and journalist. He is best known as the jazz critic for The Village Voice , and a contributing editor for The Atlantic Monthly . He has also worked in radio and film, and taught courses on Jazz and Blues at the University of Pennsylvania .
In his contribution to the 18th annual Francis Davis Jazz Critics Poll, Ken Waxman of Jazz Word selected the album as one of the top archival releases of 2023. [7] In a review, he praised Altschul's ability to provide "sympathetic, sophisticated yet strong accents," noting he had "perfected the melding of hard bop power with free jazz multiple ...
Critic Tom Hull awarded the album a grade of "A−", and commented: "it's more than nostalgia that lifts this release of the group's last live performance." [3]Writing in 2013, Francis Davis awarded the album a grade of "A", and stated: "it was released only this spring, and I swear it's more vital than almost anything else I've heard in 2013.
December 30 - The Guardian ranks Charles Lloyd's Trios: Sacred Thread as the best jazz album of 2022, followed by Mary Halvorson's Amaryllis/Belladonna (treated as one album) in #2 [20] December 30 - Jazzmeia Horn and Her Noble Force's 2021 album Dear Love ends off the year at the #1 spot with most radio airplay of the year as documented by ...
Two-time poll-topper Björk (pictured), an Icelandic musician, is one of only four artists from outside the Anglosphere to place first in the poll. American rock band Sonic Youth topped the magazine's poll twice. In 1992, The Wire stopped privileging its jazz poll and instead began to designate its all-genre poll as its primary year-end list ...
The members of Irreversible Entanglements met through music and activism: bassist Luke Stewart shared bills with Camae Ayewa's band the Mighty Paradocs; saxophonist Keir Neuringer worked with Books Through Bars, whose events Ayewa has emceed; and the trio of Ayewa, Stewart, and Neuringer was followed by the duo of Aquiles Navarro and Tcheser Holmes at a 2015 Musicians Against Brutality event ...
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This duet used the materials that constitute the black and white keys on a piano as a metaphor for racial harmony. It ranked number one in a BBC 6 Music poll of the worst duets in history [75] and number 10 in Blender ' s poll of worst songs ever, and has been described as "saccharine" for its heavy-handed approach to its subject. [76] [77]