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Elizabeth praises Mary for her faith (using words partially reflected in the Hail Mary), and Mary responds with what is now known as the Magnificat. Some ancient authorities have Elizabeth, rather than Mary, speaking the Magnificat. [3] [4] The Magnificat is one of the eight most ancient Christian hymns and perhaps the earliest Marian hymn.
Harker in A flat . Harris in A . Harwood in A flat . Harwood in E minor . Hawes in D . Hemingway in E . Hemingway The King's Service . Howells in B minor . Howells in E major (Men's voices) ...
The Magnificat setting consists of seven movements for the text of the canticle (Luke 1:46-55), concluded by two movements of the doxology.The following table shows the title, voices, tempo marking, time, key and text source for the nine movements, based on the vocal score, edited by Günter Graulich after the autograph.
Tonus XII (twelfth tone): Magnificat duodecimi toni – for later composers using this see e.g. Magnificat compositions by Moritz von Hessen; Apart from the Magnificat sung to the psalm tones, in Gregorian chant there are also the Magnificat antiphons or O Antiphons inspiring composers like Arvo Pärt.
The service has been recorded several times, [5] including a 1988 collection The Music of St. Paul's Cathedral, performed by the cathedral choir conducted by John Scott with organist Christopher Dearnley, [6] and a 1997 overview of ten settings of Magnificat and Nunc dimittis by English composers, performed by the Choir of York Minster conducted by Philip Moore and with organist John Scott ...
Johann Sebastian Bach's Magnificat, BWV 243, is a musical setting of the biblical canticle Magnificat. It is scored for five vocal parts (two sopranos, alto, tenor and bass), and a Baroque orchestra including trumpets and timpani. It is the first major liturgical composition on a Latin text by Bach.
[non sequitur] [59] Spitta compares the end of this movement with the end of the 7th movement of Bach's Latin Magnificat: textually both movements treat the same part of the Magnificat (the end of Luke 1:51), and, although the other movement is set for five-part chorus and tutti orchestra, he considers the closure of this recitative of the ...
Magnificat, a regular part in Catholic vesper services, was also used in the Lutheran church, in vespers and for Marian feasts. Schütz set the Magnificat text once in Latin and five times in German, Meine Seele erhebt den Herren (My soul magnifies the Lord), also called German Magnificat. Schütz composed them at different times for different ...