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For example, Ansel Adams used darkroom exposure techniques to darken and lighten photographs. Other techniques include retouching using ink or paint, airbrushing, double exposure, piecing photos or negatives together in the darkroom, and scratching instant films. Software for digital image manipulation ranges from casual to professional skillsets.
Many image file formats use data compression to reduce file size and save storage space. Digital compression of images may take place in the camera, or can be done on the computer with the image editor. When images are stored in JPEG format, compression has already taken place.
The ability to create and fabricate realistic imagery digitally—as opposed to untouched photos—changes the audience's perception of "truth" in digital photography. [41] Digital manipulation enables pictures to adjust the perception of reality, both past and present, and thereby shape people's identities, beliefs, and opinions.
Photomontage of kiwifruit and lemons, digitally manipulated using GIMP. Photomontage is the process and the result of making a composite photograph by cutting, gluing, rearranging and overlapping two or more photographs into a new image. [1]
Dodging and burning are techniques used during the printing process to manipulate the exposure of select areas on a photographic print, deviating from the rest of the image's exposure. In a darkroom print from a film negative, dodging decreases the exposure for areas of the print that the photographer wishes to be lighter, while burning ...
Close analysis of the photograph raises questions and reveals certain details in the photograph that indicate it has been manipulated. For example, Grant's head is set at a strange angle to his body, his uniform is of a different time period, and his favorite horse Cincinnati did not have a left hind sock like the horse in the photograph ...
Standard digital processes include the pigment print, and digital laser exposures on traditional color photographic paper. [citation needed] Alternative processes often overlap with historical, or non-silver processes. Most of these processes were invented over 100 years ago and were used by early photographers. [2] [3]
The digital negative is the collective name for methods used by photographers to create negatives on transparency film for the contact printing of alternative photographic techniques. The negatives can also be enlarged using traditional gelatin silver processes , though this is usually reserved for negatives of 4x5" or larger due to quality ...