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The Shiva Purana contains chapters with Shiva-centered cosmology, mythology, and relationship between gods, ethics, yoga, tirtha (pilgrimage) sites, bhakti, rivers and geography, and other topics. [ 10 ] [ 2 ] [ 11 ] The text is an important source of historic information on different types and theology behind Shaivism in early 2nd-millennium ...
The Ribhu Gita (Sanskrit: ऋभुगीता; ṛbhugītā) is an acclaimed song at the heart of this purana whose content has been described as advaita, monist or nondual. The Ribhu Gita forms the sixth part of Shivarahasya Purana. It is one of the few works attributed to the Hindu sage Ribhu.
The Linga Purana states, "Shiva is signless, without color, taste, smell, that is beyond word or touch, without quality, motionless and changeless". [11] The source of the universe is signless, and all of the universe is the manifested Linga, a union of unchanging Principles and the ever-changing nature. [ 11 ]
This story, state Bonnefoy and Doniger, appears in Vayu Purana's chapter 1.55, Brahmanda Purana's chapter 1.26, Shiva Purana's Rudra Samhita's Sristi Khanda's chapter 15, Skanda Purana's chapters 1.3, 1.16, 3.1, and other Puranas. [89] The texts are in Sanskrit as well as regional languages, [4] [5] and almost entirely in narrative metric ...
According to the text Shiva Purana, the Parthiva Shivalingas should be made from the soil of a holy river or pond. [4] In the text Shiva Purana, when sages asked about the greatness of the Parthiva Shivalingas to Suta, then he explained the greatness of the worship of the Parthiva Shivalingas. Suta told that Parthiva Shivalinga is the best form ...
According to a Shiva legend from the Shiva Purana, once, Brahma (the god of creation) and Vishnu (the god of preservation) had an argument over their supremacy. [2] To settle the debate, Shiva pierced the three worlds, appearing as a huge, infinite pillar of light, the jyotirlinga.
The pañcānana (Sanskrit: पञ्चानन), also called the pañcabrahma, [1] are the five faces of Shiva corresponding to his five activities (pañcakṛtya): creation (sṛṣṭi), preservation (sthithi), destruction (saṃhāra), concealing grace (tirobhāva), and revealing grace (anugraha). [2]
In the Shiva Purana, Pippalada, on his way to the river Pushpabhadra in the Himalayas, chanced upon a young maiden, and was consumed by lust. After enquiring the locals, he was informed that the maiden was Princess Padma, the only daughter of King Anaraṇya, regarded to be as virtuous as the goddess Lakshmi .