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Victorian women were expected to maintain a poised and dignified manner, and to obey their husbands. Vivie defies the Victorian expectations of an obedient woman: she is educated and entirely self-sufficient. She rejects two marriage proposals, reflecting her reliance on her work ethic and hard-headed approach to life.
Scholarly discussions of Victorian women's sexual promiscuity was embodied in legislation (Contagious Diseases Acts) and medical discourse and institutions (London Lock Hospital and Asylum). [7] The rights and privileges of Victorian women were limited, and both single and married women had to live with heterogeneous hardships and disadvantages.
With the Victorian era, its new morality of decency, domesticity, serious-mindedness, propriety and community discipline on the one hand, its humbug, hypocrisy and self-deception on the other, [3] Mrs Grundy swiftly rose to a position of censorious authority.
The era can also be understood in a more extensive sense—the 'long Victorian era'—as a period that possessed sensibilities and characteristics distinct from the periods adjacent to it, [note 1] in which case it is sometimes dated to begin before Victoria's accession—typically from the passage of or agitation for (during the 1830s) the ...
Society and culture of the Victorian era refers to society and culture in the United Kingdom during the Victorian era--that is the 1837-1901 reign of Queen Victoria. The idea of "reform" was a motivating force, as seen in the political activity of religious groups and the newly formed labour unions.
Harriet Martineau (12 June 1802 – 27 June 1876) was an English social theorist. [3] She wrote from a sociological, holistic, religious and feminine angle, translated works by Auguste Comte, and, rare for a woman writer at the time, earned enough to support herself. [4]
An edition of East Lynne published by Collins. East Lynne is an 1861 English sensation novel by Ellen Wood, writing as Mrs. Henry Wood.A Victorian-era bestseller, it is remembered chiefly for its elaborate and implausible plot centering on infidelity and double identities.
The poem's attitude toward this temptation seems ambiguous, since the happy ending offers the possibility of redemption for Laura, while typical Victorian portrayals of the "fallen woman" ended in the fallen woman's death. Rossetti volunteered at Highgate Penitentiary for fallen women shortly after composing Goblin Market in the spring of 1859. [5]