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In music theory, a perfect fifth is the musical interval corresponding to a pair of pitches with a frequency ratio of 3:2, or very nearly so.. In classical music from Western culture, a fifth is the interval from the first to the last of the first five consecutive notes in a diatonic scale. [2]
It should only contain pages that are The 5th Dimension songs or lists of The 5th Dimension songs, as well as subcategories containing those things (themselves set categories). Topics about The 5th Dimension songs in general should be placed in relevant topic categories .
The terms quartal and quintal imply a contrast, either compositional or perceptual, with traditional harmonic constructions based on thirds: listeners familiar with music of the common practice period are guided by tonalities constructed with familiar elements: the chords that make up major and minor scales, all in turn built from major and minor thirds.
The fourth harmonic vibrates at four times the frequency of the fundamental and sounds a perfect fourth above the third harmonic (two octaves above the fundamental). Double the harmonic number means double the frequency (which sounds an octave higher). An illustration in musical notation of the harmonic series (on C) up to the 20th harmonic.
In music, the mystic chord or Prometheus chord is a six-note synthetic chord and its associated scale, or pitch collection; which loosely serves as the harmonic and melodic basis for some of the later pieces by Russian composer Alexander Scriabin. Scriabin, however, did not use the chord directly but rather derived material from its transpositions.
Greatest Hits on Earth is a greatest hits compilation by The 5th Dimension, released in 1972. Consisting of charted singles from both Soul City and Bell labels, it spent 24 weeks on the chart and peaked at #14. [4] In December 1972 the album was certified Gold by the RIAA. [5]
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[2] [9] [10] The song was also included on the band's third album, Fifth Dimension, which was released on July 18, 1966. [2] Billboard magazine described the single as an "off-beat lyric rocker with chart-topping potential". [11] Cash Box described the song as a "rhythmic, medium-paced, blues-soaked tale of rejection about a somewhat ...